January 10, 2015- February 8, 2015
January 10- February 8, 2015
Opening reception: Saturday January 10th, 6-10 pm/ Artist Talk at 6pm!
MASS @ The Front
Artist Talk, opening night at 6pm
Drew Liverman, BbWwRr, 2012
The Front excitedly welcomes MASS—an Austin, TX collectively run nonprofit gallery and project space—to New Orleans for a group exhibition made up of new work by its current members. Consisting of a cast culled from Austin’s rich community of artists, writers, musicians and educators, MASS fosters exploratory modes of creation by encouraging artists to broaden the scope of their practice, while providing a friendly conversation space for the community to engage with contemporary art. Bringing their work and ideology to share with New Orleans, MASS continues in the spirit of The Front’s Collective Exchange Program and will open its doors to our New Orleans based artists in the summer of 2015.
Christa Palazzolo, Meta Feeling, 2013
See link for complete list of MASS members, bios, and links:
Richard Mansfield, Backfire, 2004
Margit Raczkowski, Presidents, 2014
Andy Rihn, Texas' Longest Hammer Choir, 2011-2013
Xochi Solis, Her eyes a blue million miles, 2014
Jules Jones, Skull Ladder, 2013
JANUARY 22nd @ The Front, 6pm
FILMS for ONE to EIGHT PROJECTORS: multi-projector experiments by roger beebe
Filmmaker/curator/professor Roger Beebe returns to the road in January 2015 with a touring program of his multiple-projector performances that takes him to three corners of North America with an additional stop off in the Antipodes (Australia/New Zealand). The tour features several of his best-known projector performances (including the six-projector show-stopping space jam “Last Light of a Dying Star”) alongside recent award-winning work in single-channel HD video as well as the premiere of his latest multi-projector mayhem, “SOUND FILM.” These works take on a range of topics from the forbidden pleasures of men crying (“Historia Calamitatum (The Story of My Misfortunes)”) and the secret logic of the book of Genesis (“Beginnings”) to Las Vegas suicides (“Money Changes Everything”) and companies jockeying to be at the start of the phone book (“AAAAA Motion Picture”).
"[Beebe’s films] implicitly and explicitly evoke the work of Robert Frank, Garry Winogrand and Lee Friedlander, all photographers of the atomic age whose Western photographs captured the banalities, cruelties and beauties of imperial America."
--David Fellerath, The Independent Weekly
“Beebe’s films are both erudite and punk, lo-fi yet high-brow shorts that wrestle with a disfigured, contemporary American landscape.”
--Wyatt Williams, Creative Loafing (Atlanta) "Beebe's work is goofy, startling, and important." --Daniel Kraus, Wilmington Encore
Roger Beebe is an Associate Professor in the Department of Art at the Ohio State University. He has screened his films around the globe at such unlikely venues as the CBS Jumbotron in Times Square and McMurdo Station in Antarctica as well as more likely ones including Sundance and the Museum of Modern Art. Recent solo shows of his work include the Laboratorio Arte Alameda (Mexico City), the Wexner Center for the Arts, and Anthology Film Archives. He has won numerous honors and awards including a 2013 MacDowell Colony residency, a 2009 Visiting Foreign Artists Grant from the Canada Council for the Arts, and a 2006 Individual Artist Grant from the State of Florida. Beebe is also a film programmer: he ran Flicker, a festival of small-gauge film in Chapel Hill, NC, from 1997-2000 and was the founder and Artistic Director of FLEX, the Florida Experimental Film Festival from 2004-2014.